Click thumbnails to see full
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The famous Temple of the inscriptions, the former site of thousands
of gylphs that added much to our knowledge of the Maya. It is where
the great king Pakal was buried. |
The entrance to the tomb goes down this flight of well-lit stairs
to a landing and another flight of stairs. A "spirit tube" edges up
the stairs from inside
Pakal's sarcophagus to the temple at the top of the pyramid. |
When we were there, limited visits to the tomb were being scheduled.
One can barely see the artwork on sarcophagus. A reconstruction of
the tomb, including the funeral goods can be found in Mexico City at
the Museum of Anthropology and History. |
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During the 68 years of Pakal's rule, he would have lived and ruled
from this magnificent palace and temple. |
A
view of the interior of the gallery at the Palace. |
Portions of some of the original carvings can be seen at the palace,
as well as in the museum on site. |
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The "T" , as well as the equal-lateral cross,
was seen in windows on many buildings , including the Palace. It
symbolizes the sun and often had a placement of astronomical
importance. |
This example of palatial plumbing gives new
meaning to the word "throne" and brings a grin to the face of
archeologist Chris Powell. |
Examples of a sophisticated water and drainage
system are seen throughout the city. |
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Another carving still visible in the site. |
The long climb to the Temple of the Cross is
one we didn't take. |
Here is the magnificent view from the Temple
of the Inscriptions. |
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One of the late kings of Palenque is pictures
in this reconstruction, left, at its original site and in the
original, right, that is on display at Palenque's museum. |
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Our cabina at Chan Kah Resort, set in the jungle among howler
monkeys, tropical plants, and any number of birds we couldn't
identify. |
The huge pool is designed to look like a lagoon. |
The large dining room is enough to accomodate the many groups that
choose Chan Kah as their home while visiting Palanque. |
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A
highlight of the trip was pizza and margaritas at the quirky Don Mucho's
(we loved it!*) at El Panchan with
our guide Chris and other members of the MEC staff and associates, including
director Ed Barnhart, far left, artist and researcher Alonso Mendez.
Sara, right, was at the center exploring possible mutual
educational programs involving the local Maya.
*So did Tim Weiner in a 2003 travel story
in the NY Times. He added "The crowd is a hoot -- three
generations of hipsters and tripsters, all friendly and worldly
folks, from sophisticated 50-somethings to tattooed teens." |
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